LGBT-theater is often pedantic, existential drama so it was with trepidation that I accepted the assignment to review ˜Why we have a body at Allentown Civic Theatre.
If I want pedantic, existential drama, I will watch Fox-MSNBC.
However, this show is delightful, existential drama with humor and no hint of the pedantic.
The foundation for the show depends first on the script, and Claire Chafee has written a delightful look at the feminine life. Will Morris chose the script and directed a strong ensemble of actors supported by exquisite lighting by Wayne Confer and supporting sound from Helena Confer. Waiting for the show to start gazing at the stage was as enjoyable as the play itself. Add strong actors and we have a memorable evening.
There are strategies used by actors in amateur theater. Some become the character and never jar you back to the idea that you are not in the story but watching a play. Others play variations of themselves and are best in roles playing characters such as themselves.
Acting for this group is turning the emotional rheostat in themselves up or down. This strategy works as long as they do not overdue it and fit the part. Some think their way through the performance and take you out of the play and into their acting. All three strategies are in this show.
Aubrie Therrien who played Mary, a schizophrenic sister who robs 7-Elevens, gave a performance I will not forget. I never thought she was acting or said to myself, œThat was a nice touch. Although I did notice she had the most expressive face I have ever seen on stage before I dropped my reviewer hat and got absorbed in her performance.
Casey Hansen Conan, the lesbian sister and protector of Mary, used mostly the first strategy. There a few times when I was jarred out of her character and thought œI liked that movement, and one scene where I did not think she had the weight to carry the scene. She did form a strong backbone for the show. My companion disagreed with me, and I admit I think too much when I watch live theater.
Jillian Lovejoy, Renee - the paleontologist-love interest of Lillian, joined by Patricia Welle, Eleanor - mother of Mary and Lilli, were examples of the two other strategies. One was type cast but never took me out of her performance so she could be using the first strategy. The second never involved me in her character. I leave it to you to go to the show and make your own assessment.
The ensemble performance is absorbing and left my companion and me better people than when we came in.
Review: 'Why We Have a Body'
Allentown Civic Theatre
19 August 2012; 7PM
Review unannounced, regular admission