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"Rooted" makes strong case for the role of arts in community

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Written by: Kathy Lauer-Williams
Category: Features
Published: 19 June 2025
Hits: 2485

A fascinating new documentary film looks at how the arts can grow organically in a place and become an integral and nurturing part of the community.
“Rooted,” which premiered at the South Side Film Festival in front of an audience of several hundred people, is an inspiring tale of how a community redefines itself after losing the industry that had once defined it.

Rooted2
Using a metaphor of trees reaching its roots down into the soil and its branches up to the sky, the film makes a stirring argument for cultivating local arts as a way to revitalize a community.
The place is Bethlehem, Pennsylvania, which, beginning in 1850s, had been known as a steel town for being home to Bethlehem Steel, one of the largest steel-making companies in the world and a symbol of America’s manufacturing strength. In the 1970s, the fortunes of Bethlehem Steel were in decline and by 1982, Bethlehem Steel had shut down much of its operations. By 1995, Bethlehem Steel’s main plant in Bethlehem went dark, bringing an end to 140 years of steel-making in Bethlehem.
However during those years of change, more than 30 cultural non-profits, galleries, festivals, and creative businesses grew up in Bethlehem, creating a new identity and re-purposing abandoned structures.
As steel was declining, the arts were growing and the story of that rebirth told in “Rooted” is a template for positive change.
The film grew from a collaboration between SouthSide Film Institute and a group of Bethlehem artists which include Doug Roysdon of Mock Turtle Marionette Theatre; Dave Fry of Godfrey Daniels Folk Music Club; Bill George of Touchstone Theatre and Bridget George of Touchstone and Bach Choir of Bethlehem.
Filmmaker Aidan Gilrain McKenna created the 75-minute documentary drawing from more than 200 hours of interviews with more than 50 artists and community member, archival video of pivotal arts events from throughout the years, music, and photos.
The film’s heartfelt narration by Anisa George, an arborist and daughter of Bill and Bridget George, expands the metaphor of the arts community as trees rooted in Bethlehem’s fertile soil. Tying it all together are seven tree planting ceremonies honoring the artists that are shown in the film, and folk legend John Gorka’s song “Branching Out,” which becomes a defining theme for the film.
Throughout the film, the audience sees the ultimately triumphant struggles of many of the organizations. Godfrey Daniels, which opened in a former doughnut shop in 1976, nearly closed in 1983, but was saved by an emergency fund-raising drive that enabled Godfrey’s to buy its own building.
Bethlehem’s Ice House which was in disrepair and in danger of being torn down in 1989, was renovated with the city and community’s support into a venue for the arts.
While Touchstone Theatre was founded in 1981 as a traveling professional ensemble creating original movement-based theater, community support allowed it to renovate an abandoned 19th century firehouse into an intimate theater.
The film also touches on the many other arts organizations that have grown or thrived in the dust of Bethlehem Steel, from Bach Choir of Bethlehem, ArtsQuest, Young People's Philharmonic, Pennsylvania Youth Theatre and the commitment to the arts of Lehigh University, through its theater department and Zoellner Arts Center.
Ultimately, “Rooted” is an affirmation of how a strong arts identity can revitalize a community both economically and socially.
The film will be housed at the Special Collections branch of the Lehigh University Libraries as a resource. A trailer for the film can be found at https://youtu.be/Oitodx9hwa4

At Symphony Hall, new theater group to debut extreme Shakespeare

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Written by: Kathy Lauer-Williams
Category: Features
Published: 01 December 2023
Hits: 5092

Reclaimed Performing Arts Company will present "Much Ado About Nothing," at 7 p.m. Dec. 10 in the Rodale Room on the third floor of Miller Symphony Hall, 23 N 6th St, Allentown. Cameron Kunsman

Reclaimed Performing Arts Company was founded by 2023 Cedar Crest College graduate Carter Reichard, who says the goal is to create a judgment-free artistic space, that is not limited by how artists are perceived.

"We have been focused on removing the type-casting lens from the casting process," Reichard says. "We produce a variety of productions and styles of theater, with the goal of showcasing those that are typically unseen and under-represented in the arts." Olivia Theisen 1

Reichard also is director for "Much Ado About Nothing," a Shakespeare comedy that will be the first show in the groups "Extreme Shakespeare" series.

For extreme Shakespeare, the cast will spend just one day rehearsing the production before performing.

After the show was cast in August, actors received the scripts along with expectations from Reichard and production team of Jack Warnke, Chelsi Fread and Reese Blaszczyk, including costuming and anything specific that needs to be worked on. Jordan Frantz 3

On the day of the performance, the cast will come in and rehearse during the day. They will learn their blocking, work through anything they need to that hasn't already been handled, and perform the show that night.

One of Shakespeares most performed plays, "Much Ado About Nothing" follows the romantic pairings of Claudio, played by Cameron Kunsman, and Hero, played by Olivia Theisen; and Claudio's friend Benedick, played by Jordan Frantz, and Hero's cousin Beatrice, played by Samantha Philipps. Claudio and Hero fall in love when Claudio arrives in Messina with a group of soldiers. However their relationship is nearly ruined by false accusations by the villain Don John, played by Fiona Wilson. Benedick and Beatrice seem an unlikely couple with their verbal sparring but are tricked into confessing their love for each other. The title uses a play on words referencing "noting," which means gossip and rumors and sounds like "nothing."SamanthaPhilipps

The cast also Bob Falkenstein, Travis Nugent, Aaron Castro, Parker Ryan, Erick Goldsmith, Matt Johnston, London Griffith, Andrew Galindez, Ty Schacher, Chelsi Fread, Meaghan Lawlor, Tanya Toulomelis, Ash Miller, Kelsey Snivey, Emma George and Isabella Robbins.

Tickets are $5. For information, go to reclaimedpac.square.site/.

Head shots:Cameron Kunsman (Claudio)

Olivia Theisen (Hero)

Jordan Frantz (Benedick)

Samantha Philipps (Beatrice)

Read more: At Symphony Hall, new theater group to debut extreme Shakespeare

Bill George's bold, emotional tour-de-force, "Odysseus", coming to the Philadelphia Fringe

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Written by: Contributed
Category: Features
Published: 06 September 2023
Hits: 5065

PHILADELPHIA, PA “ Kingfisher Theatre presents a fresh and intimate interpretation of the eternal Greek legend, The Odyssey: the timeless tale that follows the mythical ten-year journey of one man.

Odysseus, struggling to make his way home after the Trojan War. In a stage performance that is at once epic and "breath taking"”with live musical soundscapes performed by percussionist Rob Aptaker”this enchanting new solo work from Touchstone Theatre co-founder Bill George, with directorial assistance from Gerard Stropnicky (co-founder of Bloomsburg Theatre Ensemble) is a sensory experience and a once-in-a-decade theatre event not to be missed.

Read more: Bill George's bold, emotional tour-de-force, "Odysseus", coming to the Philadelphia Fringe

Ice House among 2025 Tribute to the Arts Winners from Bethlehem Fine Arts Commission

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Written by: Ara Barlieb
Category: Features
Published: 23 August 2025
Hits: 3131

 

 

(Lehigh Valley, PA) The Bethlehem Fine Arts Commission (BFAC) is pleased to announce the 2025 Tribute to the Arts Award winners, to be honored on Tuesday, September 9th from 5:30-7:30pm at a special ceremony and reception in Bethlehem’s Historic Neighborhood District.

The 2025 BFAC Tribute to the Arts honorees are:

The IceHouse Performing Arts Collaborative:

The Mineral Spring Ice Company opened on Sand Island in 1900, but thanks to the invention of the refrigerator, the ice industry phased out by 1969.

The City of Bethlehem purchased the Ice House in 1963 as part of a plan to restore recreational use to Sand Island.

 

The building was used mostly for storage until 1989, when Charles Brown, Bethlehem’s Parks Director, gave ity council two options for the historic building: “bulldoze or fix it.”

Through a visionary consortium of performing artists working with the City, the historic building was saved and renovated, establishing a dedicated space for Lehigh Valley artists.

Gratitude is owed to the insight and imagination of Madeleine Ramsey, Founding Artistic director of Pennsylvania Youth Theatre, Dave Fry, co-founder of Godfrey Daniels, Bill and Bridget George, co-founders of Touchstone Theatre, and Doug Roysdon of Mock Turtle Marionette theatre, who came together to not only advise on the design, but to lease the ice house for 100 days after the renovation was completed in 1996.

Since then, Roysdon’s relationship with the City Parks Department has ensured area artists have had access to The Ice House for almost 30 years.

The IceHouse Performing Arts Collaborative is now a 501c3 nonprofit organization.

In it’s 9th year, Ice House presentations shine a light on our local values, issues, and heritage.

Annually, over 800 area artists—actors, dancers, poets, songwriters, musicians, comedians, magicians, and storytellers from over 40 arts organizations will take to the Ice House stage—directly impacting local economic and cultural growth and vitality.


Michael Freeman is a prolific abstract artist with a vision impairment known as tunnel vision. He creates colorful, vibrant artworks which feature tactile components and textures. With each deliberate brushstroke, he layers his canvas with his bold use of color and texture. Creating art is a direct means of self-expression and has become a transformative experience for him as an artist. His many roles include artist, speaker, teacher, and disability advocate. He encourages other artists with visual impairments to experience his paintings through tactile exploration. “My work is a way for me to push the limits of my eyesight and allow me to use my art as a creative outlet”, says Freeman. “You can really succeed in anything you put your mind to.”
Steven Lichak is a multifaceted media professional with a background in media production, education, and cultural preservation. At Lehigh University, Lichak is a Senior Producer within the Library & Technology Services department, and part of the Center for Innovation in Teaching and Learning and the Digital Media Team. His work includes producing educational and promotional content, as well as mentoring students in media production techniques. Steve is a three-time winner of the Traditions of Excellence award, presented for outstanding work not only within your department, but also service and commitment to the community. The National Canal Museum, Sigal Museum, NCCC, Steamtown National Historic Site, The Hazelton Art League, BAPL, and the Bethlehem Fine Arts Commission have all been recipients of Steve’s generous sharing of his time and expertise.

Lichak is founding president and curator of the WYSO Foundation, a nonprofit dedicated to preserving and promoting the legacy of Frank Wysochansky, known artistically as WYSO. WYSO was a self-taught artist from Blakely, PA, who created over 5,000 works, telling the story of Pennsylvania’s coal miners. After WYSO's passing, Lichak began cataloging the collection, which had been stored away and largely unknown. His efforts led to many exhibitions and increased national recognition of WYSO's contributions to American folk art. For more on the WYSO Foundation and WYSO's artwork, visit the website: www.frankwyso.org.

Elise Schaffer is a Lehigh Valley-based creative and passionate advocate for arts and disability justice. She currently serves as the Coordinator of Museum Experience and Accessibility at Lehigh University Art Galleries (LUAG). Additionally, Elise is the Gallery Coordinator at the Galleries at Steel Pixel Studios, and co-hosts and co-founded the Lehigh Valley Arts Podcast and the Lehigh Valley Artist Meetup Group. Elise finds joy in attending local arts and cultural events, and playing the violin and ukulele. Her personal artwork often draws inspiration from her hobbies and/or addresses challenges related to disability, depression, anxiety, and CPTSD.

In 2024, Elise was awarded the LEAD Award for Emerging Leadership by The Kennedy Center for work in cultural arts and accessibility. At the intersection of Schaffer’s work isadvocating for accessibility in arts and cultural spaces, accessible museum education and experiences, and integrating emerging technologies and assistive technology into arts and cultural spaces in her community.

The Tribute to the Arts is a biennial celebration, hosted by the BFAC since 1991, honoring individuals, businesses and organizations who support or have created meaningful, impactful arts experiences for diverse audiences that have enriched the Bethlehem area community.The Tribute is an opportunity for our community to come together to nominate, and then to toast, these extraordinary people and their contributions to Bethlehem’s artistic vibrancy.

The BFAC invites the public to join them on September 9th for this inspiring evening. Enjoy great company, light fare, and heartfelt tributes as we recognize local artists and advocates who make Bethlehem a more beautiful, expressive, and vibrant place through the arts.

The 2025 Tribute celebration will be held at 424 Center Street in Bethlehem (Center & Wall Sts), a beautiful historic building formerly home to the Unitarian Universalist Church. On street parking is available in the neighborhood. For accessible parking/accommodation for disability, contact This email address is being protected from spambots. You need JavaScript enabled to view it..
A $25 registration is required to attend The Tribute to the Arts, and may be purchased via the BFAC website (bfac-lv.org/tribute-to-the-arts). Your Email confirmation is your “ticket”.A check may also be sent to, PO Box 1851, Bethlehem PA, 18016.
The Bethlehem Fine Arts Commission are volunteers appointed by The Mayor of Bethlehem and Bethlehem City Council. The Commission advises the City of Bethlehem in matters concerning, maintaining, and furthering the arts in Bethlehem; and encouraging a cooperative cultural enterprise in the community. The Commission offers a broad selection of exhibitions, educational programs, public festivals, and events, all with community involvement at the forefront. For more info on the BFAC, see the website at www.BFAC-lv.org. Questions about the Tribute to the Arts event? Just email This email address is being protected from spambots. You need JavaScript enabled to view it. .

Interview with Rody Gilkeson, director of "The Spectre of Death" playing at BTL Studio Theatre Sept 22-Oct 1

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Written by: Contributed
Category: Features
Published: 18 September 2023
Hits: 7703

Lehigh Valley theatre veteran Rody Gilkeson will be directing the new comedy, "The Spectre of Death" written by Charlie Barnett and produced by Crowded Kitchen Players at Between the Lines Studio Theatre September 22- October 1.

Lehigh Valley Stage asked Rody a few questions about his experience with this play, a funky comedy about the fictional death metal band, "The Crypt", who try to re-unite in defiance of advancing age, declining health, and chronic moral turpitude. RODY

LEHIGH VALLEY STAGE: What is there about this play that you particularly like and are drawn to'

RODY GILKESON: I immediately felt a draw to this piece when I read it for the very first time. The fact that Spec, who is an aging rocker, is facing his mortality and being forced to drop his Peter Pan lifestyle is appealing to me. I have a number of former band mates who are just like Spec except on a far less famous level.

LVSTAGE: What genre does this play fit into' What makes it different in any way'

RG: I believe this play would fall into the category of Dramedey ( a combination of drama and comedy ). There is a lot of humor but, at the same time, many of the characters are facing different levels of drama. Anger, loss, love, confusion and jealousy all come to the forefront in this piece.

LVSTAGE: How do you feel your own, unique background as a stage actor and singer, as well as a seasoned musician, has impacted how you are directing this show and helping shape these characters'

RG: I started out as a frontman for a band in high school and spent the last 55 years singing either in bands or in stage productions. I have met a number of musicians like Spec, the lead character in the play. There is something about music/theatre folks who have tunnel vision for their art and miss so much of what is happening in their "real lives". I believe that has certainly helped me in shaping the members of "The Cript".

LVSTAGE: What have been the biggest challenges to getting this production ready for performance'

RG: I would have to say that working as a gypsy theater has presented some problems. I am excited that the challenge of rehearsing in one smaller space and then moving into the theater for the performance has been met with positivity. It's not what I am used to, but it is certainly a learning experience.

LVSTAGE: How difficult was it to cast this production, given the wide range in ages and backgrounds of the characters and the need for both acting skills and a sense of musicality'

RG: It seems that since I have directed quite a few musicals, actors/actresses with both skills came out for the show. I was excited to find such wonderful talent. The most challenging thing will be asking the audience to accept the fact that a few of the actors aren't exactly the age that they should be. It's not a large stretch, perhaps 10 years here and there. Suspend disbelief if you will.

LVSTAGE: What are the particular challenges of directing your spouse in a play' To what extent do you have to distinguish between your personal relationship and your rehearsal relationship'

RG: The surprising thing is, Elizabeth and I have worked together on so many projects the challenges are minimal. I know she is going to deliver a quality performance every time and she trusts me to never let her or the cast down. I would say that when rehearsal is over, we discuss briefly what may need to be improved or changed and then get back to real life. It hasn't always been like that, but as I have aged, I now have taken off the blinders. I don't allow the tunnel vision that I described earlier. She actually would make a really good director if she ever decided to take a project on.

LVSTAGE: What would you hope the audience experiences during and after seeing this production'

RG: I am sure a lot of the audience members would know very little about rock folk. I am hoping that they might leave with a small understanding of what older performers may be going through and how their lives are often "outside the tour bus" as Delilah explains to Spec. Also, as the title suggests, we are all facing the specter of death in one way or another. Sometimes it takes a realization of that fact to make us better, more understanding people.

LVSTAGE: Tell us a little about Between the Lines Studio Theatre, what you like about the space, and what you find challenging.

RG: As I said, being a theatre gypsy is very challenging. This is the first time where I have moved into a performance space with only a few days to get the show ready for an audience. BTL is a really lovely, intimate space that works extremely well for a smaller show like "The Specter of Death". I am sure once the audience comes to see our production, they will want to see more shows at this theater.

For information, visit ckplayers.com or call 610-704-6974

Read more: Interview with Rody Gilkeson, director of "The Spectre of Death" playing at BTL Studio Theatre...

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  3. Theater's portrayal of seniors---regionally and nationally--- slowwwwly changing
  4. Touchstone Theatre is accepting submissions for Festival UnBound Hidden Bethlehem seeks to showcase the places and people that are the “hidden gems” of Bethlehem

PLAY REVIEWS

  • "Allies" debates cultural identity, at Between the Lines Studio Theatre
  • "Clue: The Musical" wacky and colorful fun, at Pines Dinner Theatre

AUDITIONS

  • Auditions for "An Explosion by the Ballyseedy Woods", third part of CKP's Irish trilogy
  • AUDITIONS for "THE WATCHERS" A chilling new play for a chilling new world

UPCOMING SHOWS

  • At The Ice House, "Black Angel – A Staged Reading by Francine Gold" --- a special one-night showcase of Act 1 of Black Angel — a powerful new play, presented by Basement Poetry
  • Celebrate Halloween with Crowded Kitchen Players’ entertaining new murder mystery “Death by Lullaby” at The Ice House, in October